Red liquid drips slowly from a wall in vague, winding tracks. The process goes on until the wall's surface is almost entirely covered. Then, in a second phase, the drops become translucent, erasing the red. Still on a random trajectory, they do not entirely clean the wall. The red returns, but this time the dripping seems not to leave any trace in some places. Little by little, as if revealed by color, signs appear which are understood to be crossed-out handwriting. Then the translucent drops appear once more and the cycle starts again, revealing a new page of the manuscript. The process is accompanied by generative music, which mixes piano notes and speech fragments, using the same formulas as the ones engendering the drops' trajectory. This produces variations that all differ from what might initially be identified as a unique shape.